Filmconvert nitrate ofx mac os

Nitrate

— a new set of features to give you even more power and control over your color grading.

Cineon Log Film Emulation

Filmmakers love the built-in FilmConvert film stocks for their authentic look, but sometimes you want more control over the final image.

In the Nitrate update, we’ve added Cineon Log versions of our original film stock emulations, meaning you can dial the contrast or saturation of a film stock back to your liking, while still keeping the authentic film stock colors.

Design your own film response curve

We’ve designed full custom curve controls for each of the FilmConvert film stocks, so you can create exactly the look you want: modify highlight and shadow roll-offs, or even design your own film stock from scratch. Nitrate now uses a full Log image processing pipeline, so you can retain the full dynamic range of your footage through the grading process.

Advanced film grain controls

You can now adjust the appearance of the grain individually in the highlights, mid-tones, and shadows.

New onscreen controls for film grain and curve editing!

Cineon Log Film Emulation

Filmmakers love the built-in FilmConvert film stocks for their authentic look, but sometimes you want more control over the final image.

In Nitrate, we’ve added Cineon Log versions of our original film stock emulations, meaning you can dial the contrast or saturation of a film stock back to your liking, while still keeping the authentic film stock colors.

Shoot digital, grade film

Advanced colorists can use Nitrate in DaVinci Resolve for a true film color workflow. Nitrate now uses a full Log image-processing pipeline, so you can retain the full dynamic range of your footage through the grading process..

Improved interface and controls

Use Nitrate’s onscreen controls to grade your image in a full-screen interface so you can get up close and personal with your grade.

Magnetic Timeline + Media Organization + Nitrate =
faster editing and grading in Final Cut Pro X

Cineon Log Film Emulation

Filmmakers love the built-in FilmConvert film stocks for their authentic look, but sometimes you want more control over the final image.

In the Nitrate update, we’ve added Cineon Log versions of our original film stock emulations, meaning you can dial the contrast or saturation of a film stock back to your liking, while still keeping the authentic film stock colors.

Design your own film response curve

We’ve designed full custom curve controls for each of the FilmConvert film stocks, so you can create exactly the look you want: modify highlight and shadow roll-offs, or even design your own film stock from scratch. Nitrate now uses a full Log image processing pipeline, so you can retain the full dynamic range of your footage through the grading process.

Advanced film grain controls

You can now adjust the appearance of the grain individually in the highlights, mid-tones, and shadows.

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OFX PLUGIN

Here you’ll find everything you need to know about our
plugin for DaVinci Resolve, Magix Vegas and other OFX platforms

OFX Plugin Nitrate

Our intuitive software that takes care of the technology so you, the filmmaker, can focus on creating magical cinematic experiences for your audience. Easily add FilmConvert into your existing workflow and in just a few clicks, you are able to choose from 19 motion and still film stocks crafted and optimized scientifically to work with the sensor in your digital camera.

• Cross Platform (macOS + Windows)
• Nitrate for DaVinci Resolve — fully supported
• FilmConvert Pro OFX — legacy installer available here

Camera profiles

We work with a wide range of popular cameras to deliver the most precise picture profiles available. We then use those profiles to match to your chosen film stocks to create a stunning and accurate result.

Our Camera Packs contain accurate data for each Camera Picture Style so we can tailor each film stock to your camera, allowing authentic Film Stock looks across a wide range of cameras and settings. We continue to work directly with camera companies to bring you the latest profiles.

Your FilmConvert license gives you access to all the camera packs currently available + 12 months of new camera pack updates

Real Film Grain

Add real grain to your footage, scanned at 6k.

Unlike other plugins that simply overlay film grain, FilmConvert realistically models the amount of grain required for each color and exposure level in your image.

19 Film Stocks to choose from

With the majority of people shooting on digital these days, film makers are striving to achieve the desirable qualities of film stocks when grading in post. Often, this requires a good team of colorists, however we bridge that process for everyone! We recreate the grain structure and spectral responses of a variety of modern film stocks, from Kodak® to FujiFilm®.

Create and export 3D LUTs using FilmConvert

LUTs are a great way to export your grade for use on devices or any compatible software. Here are some ways this can help improve your workflow.

1. You can use 3D LUTs on your monitor for on-set visualization. View on your monitor the look you will apply during post-production.
2. You can load 3D LUTs into most color-grading software, which can be useful in workflows where plugin support is limited.
3. You can export a 3D LUT to share your grade with others working on your film.

You can export your grade as a .cube LUT from any non-trial plugin version of FilmConvert. You cannot currently export .cube LUTs from the desktop app version at this time.

Camera Profiles

Choose from our range of precise Camera Profiles, matched to your camera.

6K Grain Scans

Industry leading quality grain, scanned at 6K to give the best results.

19 Film Stocks

Motion and Photographic.
Color Positive, Negative + Reversals.

Export 3D Luts

Create & export 3D LUTS using FilmConvert for on-set use.

Union Production Co Demo Reel

“FilmConvert has been our absolute go-to on almost every job we produce – everything from turning flat log footage into quick client dailies to grading full films and matching multiple cameras to a single look. We use a bunch of profiles as-is and also as a starting point for additional grading and couldn’t be happier» — Dan Barham, D.O.P.

Red Epic Dragon

Blackmagic Cinema Camera

Blackmagic Pocket Camera

Be Inspired!

See the best of our #FilmConvert have to offer.

Soul. What began as an opportunity to create a simple restaurant menu sizzle reel turned into something so much more. We spent two days with world renowned Chef Scott Conant in an intimate setting, capturing him in his element at The Americano, his new Italian-inspired steakhouse in the heart of Scottsdale, AZ. We learned a valuable lesson when landing this once in a lifetime gig with Scott: When you have the opportunity to speak with someone about their craft, whatever it may be, it’s important to take the time to really dig deep and discover what pushes them to show up every day and push for their very best. And with this project, we did just that.

This year I was lucky enough to tell the love story of Marzia and Leo, in Rome. Rome is a unique city of its kind. Walking through the streets of Rome, one is fascinated by the solemnity of its monuments and by the absolute beauty of its being a symbol of culture. Is an open-air cinematography set. Stroll through the center you’ll come across masterpieces by the titans of European art – sculptures by Michelangelo, paintings by Caravaggio, frescoes by Raphael and fountains by Bernini. Rome offers incredible scenery for an exclusive and intimate wedding film, it is the perfect place to exchange promises of love, enjoying excellent food and excellent wine.

Because of the covid 19, we cannot go outside easily. But nature has been so beautiful though the world changes. I was very impressed by the beauty of nature.

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FilmConvert Nitrate 3.0.1 OFX (WinMac)

FilmConvert — плагин для создания эффекта киноплёнки. Фильтр добавляет зернистость на видео с цифровых камер, тем самым имитирует эффекты из известных киноплёнок, которые доступны в предустановок ах. В новой версии Nitrate содержится новый набор функций, чтобы дать вам еще больше возможностей и контроля над градацией цвета.

Эмуляция фильма Cineon Log.
Создатели фильма любят встроенные кинопленки FilmConvert за их подлинный внешний вид, но иногда требуется больший контроль над конечным изображением. В обновлении Nitrate мы добавили Cineon Log в нашу оригинальную коллекцию эмуляций кинопленки, это означает, что вы сможете настроить контрастность или насыщенность кинопленки по своему вкусу, сохраняя при этом подлинные цвета кинопленки.

Создайте свою собственную кривую отклика пленки.
Мы разработали полностью настраиваемые элементы управления кривой для каждого из кинопленок FilmConvert, так что вы можете создать именно тот вид, который вам нужен: изменить выделение светлых и затененных участков или даже создать свой собственный пресет кинопленки с нуля. Теперь Nitrate использует полный конвейер обработки изображений в журнале, поэтому вы сможете сохранить полный динамический диапазон отснятого материала в процессе сортировки.

Расширенные средства управления зернистости пленки.
Теперь вы можете настроить внешний вид зерна по отдельности в светлых, средних тонах и тенях.

Профили для камер можно скачать бесплатно тут.

Системные требования:

Windows 7 sp1 (64 bit) or Windows 8, MacOS

Что бы увидеть, нужно зарегистрироваться или авторизоваться. Для быстрого скачивания необходимо — ПОЛУЧИТЬ ДОСТУП.

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Let’s get Technical

FilmConvert Software updates.

Version 3.11 / Date: 22 Jul 2021 / MAC

Universal build (Intel + M1)

Version 3.11 / Date: 17 Nov 2020 / Windows

Rebuild to support CUDA 10.1+

Version 3.10 / Date: 02 Nov 2020 / MAC

Code refactoring. Removed need for OpenCL where Metal is available.

Version 3.10 / Date: 02 Nov 2020 / Windows

Code refactoring Removed need for OpenCL on NVIDIA machines

Version 3.08 / Date: 23 Jun 2020 / MAC

Notarized installer. Fix spurious error in Metal code compilation.

Version 3.07 / Date: 20 May 2020 / MAC

Fixed error handling of Metal kernel compilation.

Version 3.06 / Date: 17 Dec 2019 / MAC

Fixed grain for stills.

Version 3.06 / Date: 17 Dec 2019 / Windows

Fixed grain for stills.

Version 3.05 / Date: 26 Sep 2019 / MAC

Metal fix for Premiere Pro v14.0

Version 3.04 / Date: 26 Sep 2019 / Windows

Fixed some error handling for AE when using OpenCL.

Version 3.03 / Date: 17 Sep 2019 / MAC

Fixed (again) the position of the camera chooser UI for people working with multiple displays.

Version 3.01 / Date: 11 Sep 2019 / MAC

Fixed position of camera chooser UI for people working with multiple displays.

Version 3.0 / Date: 15 Jul 2019 / MAC

FilmConvert Nitrate initial release.

Version 3.0 / Date: 03 Sep 2019 / Windows

FilmConvert Nitrate initial release.

Version 2.40 / Date: 14 Jun 2018 / MAC

Fixed race condition in OpenCL renderer (Premiere Pro only).

Version 2.40 / Date: 14 Jun 2018 / Windows

Fixed race condition in OpenCL renderer (Premiere Pro only).

Version 2.39 / Date: 07 Dec 2016 / Windows

Rebuild using latest CC SDKs to hopefully fix loading issues that some people have experienced.

Version 2.38 / Date: 10 May 2016 / Windows

Added slider to control the level of softness used for 8 and 16 mm film sizes.

Version 2.37 / Date: 31 Mar 2016 / Windows

Added size options for LUT export.

Version 2.36 / Date: 05 Nov 2015 / Windows

Removed the requirement for Win 7 machines to have a WIC update. Fixed a typo in the version reporting of the plugin. Tweaked OpenCL memory management for After Effects.

System Requirements

Windows

macOS

macOS 10.13.6 and up
After Effects or Premiere Pro CC 2018 or later
Metal or OpenCL

—-
NOTE: Links to previous versions can be found in the Help section

Version 3.05 / Date: 28 Dec 2020 / MAC

LUT Export now working again.

Version 3.04 / Date: 03 Dec 2020 / MAC

Now M1 compatible. You will still get a popup saying the plugin needs updating, but just ignore it.

Version 3.03 / Date: 30 Aug 2020 / MAC

Fixed watermark problem in Compressor 4.4.7 (released with FCPX 10.4.9)

Version 3.02 / Date: 22 May 2020 / MAC

Fixed cropping in some 4k DCI projects.

Version 3.01 / Date: 22 May 2020 / MAC

Fixed GUI crash bug. Remove watermark for when the camera profile is not installed. Fixed license error.

Version 3.0 / Date: 01 Oct 2019 / MAC

FilmConvert Nitrate initial release for Final Cut Pro.

Version 2.52 / Date: 23 Jan 2020 / MAC

Fixed license problems seen in FCPX 10.4.8, plus fix for v1 licenses.

Version 2.51 / Date: 15 Jan 2020 / MAC

Fixed license problems seen in FCPX 10.4.8

Version 2.5 / Date: 21 Nov 2017 / MAC

Replaced the on screen controls with a popup GUI.

Version 2.22 / Date: 18 Apr 2017 / MAC

Added work-around for Iris Pro driver problem in macOS 10.12.4

System Requirements

macOS

Version 3.06 / Date: 09 Mar 2021 / MAC

Fixed chroma/luma slider bug in previous version.

Version 3.05 / Date: 22 Dec 2020 / MAC

Version 3.04 / Date: 31 Oct 2020 / MAC

Added reset but for on screen control position.

Version 3.04 / Date: 29 Oct 2020 / Windows

CUDA update. Added reset button for on screen controls position.

Version 3.03 / Date: 23 Jun 2020 / MAC

Version 3.02 / Date: 20 May 2020 / MAC

Version 3.01 / Date: 26 Nov 2019 / MAC

Improved compatibility with Resolve 15.

Version 3.01 / Date: 26 Nov 2019 / Windows

Rebuild to improve Windows CUDA performance.

Version 3.0 / Date: 01 Oct 2019 / MAC

FilmConvert Nitrate initial release

Version 3.0 / Date: 01 Oct 2019 / Windows

FilmConvert Nitrate initial release.

Version 2.20 / Date: 20 Jun 2018 / MAC

Now working in Resolve 15 beta 5

Version 2.20 / Date: 20 Jun 2018 / Windows

Now working in Resolve 15 beta 5

Version 2.19 / Date: 24 May 2018 / MAC

Added support for HitFilm Pro Improved GPU detection.

Version 2.19 / Date: 24 May 2018 / Windows

Added support for HitFilm Pro Improved GPU detection.

Version 2.15 / Date: 09 Jun 2016 / MAC

Fixed GPU selection for Quadro cards.

Version 2.15 / Date: 09 Jun 2016 / Windows

Fixed GPU selection for Quadro cards.

Version 2.12 / Date: 28 Jan 2016 / Windows

Added fix to the CUDA renderer (Resolve 12 only) for B&W film stocks.

Version 2.11 / Date: 14 Jan 2016 / Windows

Blackmagic Design DaVinci Resolve 12: Added direct GPU support, multi-GPU support and CUDA. Sony Vegas Pro: Fixed watermark bug. Improved histogram appearance. Added support for Blackmagic Design Fusion 7 Studio.

Version 2.09 / Date: 15 Jan 2016 / Windows

Fixed a watermark bug in Vegas.

Version 2.08 / Date: 11 Nov 2015 / Windows

Removed the need for a WIC update in Windows 7. Added a switch to remove a slight gamma shift between Windows and Mac renders. Only effects people using both platforms on the same project.

System Requirements

Windows

macOS

Version 1.241 / Date: 21 Sep 2015 / MAC

Final Version. Now Discontinued.

Version 1.230 / Date: 21 Jul 2015 / MAC

Minor update: — Updates to FCPX XML parsing — Preview window no longer forces fit to width — Renders with updated clr tags for better viewing consistency across platforms — New options on Menu Bar to match preview window with viewing environments

Version 1.224 / Date: 23 Mar 2015 / MAC

Updated R3D SDK Red Dragon Support 4K Quicktime output for 64bit Engine Compatibility updates and timeline sorting for FCPXML import Tweaked QT timing information Fix for 1.222 render white screen issue Audio Processing fixes Please note, MacOSX 10.6 is not supported in this build. If you are still running Snow Leopard then please continue with the previous build.

Version 1.220 / Date: 06 Oct 2014 / MAC

Updates and bug fixes, including timing issue fix for audio in Film Convert 64bit. Please note, A7s AC3 audio codec not yet supported. This version can now be downloaded here: https://s3.amazonaws.com/FilmConvert/FilmConvert_Pro_v1.220.dmg

Version 1.216 / Date: 03 Apr 2014 / MAC

New in 1.216! New Profiles available now for: * Sony F55 * Extra exposure settings for BMCC * Magic Lantern RAW for 5DmIII Profiles also available for: * Canon 1DC * Digital Bolex Currently stand-alone only. Plugin releases coming soon. Default Source Camera can now be set. Various bug fixes for 64bit version, including: * More EDL file scanner fixes * Blue tint in some rendered files * Inconsistent Grain size Finally a few minor bug fixes since 1.215

Version 1.209 / Date: 17 Feb 2014 / MAC

Interim Bug Fix Release for 64bit version of Film Convert. Addresses color issues and a problem with the EDL/XML file scanner. New Camera Profiles coming soon, but not yet.

Version 1.205 / Date: 16 Oct 2013 / MAC

New in v1.205 Preset Manager for grouping and renaming presets. Additional 64bit version for Mac OS 10.8 users. This new version has a new render engine using new features from Mountain Lion for better stability. Note: This will install as «Film Convert 64bit.app» in your Applications folder New Camera Profiles: * Black Magic Pocket * Sony FS700 Basic support for FCPX XML added

Version 1.052 / Date: 02 Jul 2013 / MAC

Added global switch for new R3D Extract Settings. See «Settings» on the menu-bar.

Version 1.051 / Date: 21 Jun 2013 / MAC

New Camera Profiles Added: * Canon 6D * Canon XF300 * Canon C100 * Sony EX1 New picture styles for: * Canon 600D * Canon 5D mkIII New RED picture styles: * RedColor3 / RedGamma3 * RedLogFilm

Version 1.050 / Date: 10 May 2013 / MAC

Fix for 23.976 QT Renders From 1.048: Fix for some older GPU’s causing loss of picture or potential crash. From 1.047: Bug fixes for Camera Source popup . New camera profiles: * Panasonic GH3 * Canon 550D * Canon 600D * Nikon D800 * Nikon D7000 Updated Canon C300 CLog profile. New slider to tweak the amount of change in the base s-curve when applying Film Stocks.

Version 1.02.20 / Date: 07 Dec 2016 / Windows

Final Version. Now discontinued.

Version 1.02.10 / Date: 27 Jul 2016 / Windows

— Fix an interface issue when used on lower resolution monitors.

Version 1.02.00 / Date: 24 May 2016 / Windows

— Fix grain to match other FilmConvert products

Version 1.01.00 / Date: 11 May 2016 / Windows

— A preset manager has been added, with built-in import/export features. — More GPU information has been added to the output log to help us with bug fixing. — The before/after feature on the histogram has been fix. — Warning and Error handling system updated.

Version 1.00.40 / Date: 11 Apr 2016 / Windows

— ProRes rendering pipeline fixed.

Version 1.00.30 / Date: 08 Apr 2016 / Windows

Windows 8.0 is now supported.

Version 1.00.25 / Date: 01 Apr 2016 / Windows

Fixed an audio issue.

Version 1.00.15 / Date: 29 Mar 2016 / Windows

Fixed some registration issues when using a standalone license file.

Version 1.00.05 / Date: 23 Mar 2016 / Windows

Updated media handling for Windows 7

Version 1.0 / Date: 03 Mar 2016 / Windows

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