Brainworx bx digital v3 mac os

REQ: Brainworx bx_digital V3 — Plugin Alliance (Mac-Win)

Brainworx’s revolutionary flagship product, bx_digital, was the first commercially available Mid/Side equalizer plugin, and it still reigns supreme today as the EQ for mixing and mastering.

The seminal plugin’s first major upgrade, bx_digital V2, was voted #1 Best Plug-in of the Decade by Future Music and quickly became the standard by which other equalizers are judged.

The 11-band equalizer’s forward-thinking feature set includes parametric bell, high- and low-shelving, and high- and low-pass filters for each channel; mono, dual-mono (L/R), stereo and mid-side modes of operation; a mid-side decoder (especially useful for recording acoustic instruments, drums and even bigger ensembles in a super mono-compatible and extremely natural way); spectrum-balancing Bass and Presence Shifters; the pioneering Mono Maker summing tool; and comprehensive imaging, monitoring and metering facilities for high-level mastering.

Now Even More Powerful

With the release of bx_digital V3, the bar just got raised again. The major update extends the High Frequency band’s upper range to 40 kHz to sweeten and add ‘air’ to high-resolution audio tracks, mixes and masters. A Dynamic EQ module, API-style Proportional Q filters and six notch filters (three per channel) have been added to handle any surgical mix or mastering task, making it a perfect tool for film mixing and post production as well. The unique Bass and Presence Shifters have been made much more versatile, each now offering a selection of three different tilt filters that balance and unmask hidden details in your mixes.

V3’s transparent high pass and low pass filters now provide alternate slopes to sculpt your tracks’ high and low end and selectively weed out rumble and hiss with greater precision. And the new, global Gain Scale control makes proportional gain changes to all parametric, shelving, and Bass and Presence Shift filters at once—preserving your carefully wrought balance across all bands as you dial in the perfect overall amount of EQ.

All this power comes in two workspaces—separate component plugins for mixing and mastering—to help you work faster. On individual tracks that don’t need surgical equalization, the «bx_digital V3 mix» plugin simplifies operation by excluding mid-side processing and additional meters. On your main subgroups and the master stereo bus during mixdown and mastering sessions, use the «bx_digital V3» plugin to roll out the big guns: a full complement of Mid/Side equalization controls and separate meters for pre- and post-EQ signal levels, L/R balance and correlation. Advanced imaging controls let you independently pan your mix’s mid and side channels, widen the stereo image, swap left and right channels and center the phantom stereo image.

V3 for Clearer and Cleaner-Sounding Mixes and Masters

V3 is not a «character» EQ. It’s eminently pristine, using ultra-transparent filters that minimize phase shift and frequency masking to deliver clearer and more focused mixes and masters. The Bass and Presence Shifters produce opposing boosts and cuts in adjacent bands to prevent excess spectral energy buildup that can make mixes sound boomy, blurry or edgy. Each Shifter in V3 offers a selection of three different tilt-equalization sounds featuring different boost and cut frequencies, bandwidths and relative gain.

Use them, for example, to boost your mix’s low-bass punch while simultaneously clearing out muddy upper-bass and low-midrange frequencies. Or increase presence to spotlight guitars and vocals, while softening searing cymbals. You’ll work faster: a mouse click and single knob twist are all it takes!

V3’s new Proportional Q filters are another huge plus. These filters progressively adapt the Q as you increase or decrease gain, focusing your boosts and cuts exactly where they’re needed and without suffering tradeoffs in neighboring bands. Boost bass frequencies on male vocals to accentuate the singer’s powerful chest register—without muddying the lower midrange. Cut honky midrange frequencies on the kick drum track while fully preserving the beater’s high-frequency slap. V3 is precise.

The V3 update also updates the simple De-Esser that was included in bx_digital V2 to a much more versatile Dynamic EQ that can compress or upwardly expand any frequency band from 20 to 22 kHz. Sure, the Dynamic EQ can still de-ess sibilant vocals and cymbals. But you can also use it to automatically attenuate bass frequencies on an acoustic guitar track only when the guitar gets boomy, leaving it unprocessed at all other times. Or use it to boost bass drums in complex signals. You can also tame the high frequencies of a vocal performance automated, only when a singer hits the top of their range.

The Dynamic EQ is all about consistent tone—and less need for time-consuming EQ automation. Setup is a snap: a Solo function lets you hear the frequency band that the Dynamic EQ will treat as you dial it in. Set the Speed switch to Fast to nip speedy sibilance in the bud or Slow to tame boomy bass frequencies without pumping. Place the Dynamic EQ before or after V3’s main filter section with the click of a mouse.

V3’s innovative Solo functions help you make smarter EQ decisions while working fast. Activate the Auto-Solo and Auto-Listen switches to add touch-sensitive functionality to Gain, Q and Frequency controls in all bands. With Auto Listen, the Gain and Q controls will automatically solo the respective changes they apply to each band, while doing the same to a Frequency control will automatically solo the filter in the channel. Auto Solo automatically switches monitoring to the respective channel (M or S, L or R) on which Gain, Q and Frequency are being adjusted. Separate frequency-response graphs for each channel constantly update to illustrate the results of your tweaks. You’ll see and hear your EQ adjustments like never before.

FEATURES
Three operational modes: L/R (dual-mono), M/S Master (Mid/Side) and unique M/S Recording (processes Mid/Side signals in real-time and outputs L/R stereo)
Mono, dual-mono, stereo and Mid/Side configurations, multi-mono (Surround)
Two component plugins simplify and speed workflow for mixing and mastering
Eleven broadly overlapping bands per channel
LF, LMF, MF, HMF and HF bands are fully parametric (offering separate Gain, Q and Frequency controls in each band) and can be switched globally for Proportional Q response
LMF, MF and HMF bands each provide notch filtering at their lowest gain setting, while offering adjustable Q per band
LF and HF bands provide respective low- and high-shelving EQ at their lowest Q setting
Separate, continuously variable low-pass and high-pass filter for each channel, each offering 6dB or 12dB/octave slope or bypassed state
Bass Shift and Presence Shift modules each offer three tilt-equalization sounds
Dynamic EQ module boosts or cuts only when needed to correct undesirable, momentary peaks or enhance your signal with creative boosts
Gain Scale control adjusts all gain controls for parametric, shelving, and Bass and Presence Shift filters at once; negative values invert the EQ curve to change boosts to cuts and vice versa
Mono Maker folds frequencies to mono below its selected corner frequency (20 Hz to 22 kHz), lending focus to any part of your mix and helping to preserve the side channel’s headroom when tightening the low-end
Extremely flexible control linking: Each band and filter can be independently linked with its respective counterpart in the opposing channel (left-channel filter linked to its corresponding right-channel filter, or mid linked to side)

Источник

BrainWorX Complete Bundle 64 bit AU VST VST3 RTAS TDM MAC OSX Intel 2012 1.2.1 [Intel]

bx_digital V2 is a state-of-the-art digital mastering processor that provides
you with a mastering class 11-band equalizer, M/S De-Esser, Mono-Maker and
intelligent Bass- and Presence-Shifters, plus extra M/S features, such as Pan
for M&S, and Stereo Width Control.

bx_control V2 is a control listening tool and an M/S matrix with built-in Mono
Maker & stereo width control. bx_control also features hi resolution LEDs for
Peak and RMS levels in AES 17 and Square formats.

Hear the difference. Use the M/S power and the sophisticated sound of the
Brainworx plug-ins on all your main channels. Contains bx_boom!, bx_control
V2, bx_digital V2, bx_dynEQ, bx_hybrid and the free plugins bx_solo &
bx_cleansweep.

The concept of the bx_dynEQ is a truely NEW approach to dynamic EQ-ing, using
innovative M/S features to allow for results not possible with any other EQ.

bx_hybrid is a state-of-the art MONO & STEREO EQ. It contains several UNIQUE
tools, such as an INTERNAL M/S PROCESSOR (stereo version only, of course) for
STEREO WIDTH CONTROL & a MONO MAKER (a Brainworx invention that will mono out
any stereo signal up to a certain user-adjustable threshold frequency with
only ONE knob – while automatically compensating for the potential loss in
the overall bass-spectrum).

Stripped down to only 2 parameters and an intuitive graphic design this tools
enables you to tune, attenuate or boost the impact of your bass drum sound .
in a final mix(!) or a complete stereo drum-loop.

Источник

Brainworx bx digital v3 mac os

Since 2006, Brainworx Audio has developed a reputation for creating sonically-advanced plugin tools as well as a multi-platform development framework that is second to none.

Brainworx highlights include the M/S-standard EQ, bx_digital V3, world-class analog mixing console emulations with patented TMT (Tolerance Modeling Technology, US Patent No. 10,725,727) and modern mastering solutions like bx_masterdesk and the amazing BX Style Creator desktop app.

Founder Dirk Ulrich started Brainworx to develop tools that would solve problems and improve workflows for his own production and mastering projects. The ethos of “built by professionals for professionals” remains a core value of the company.

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Источник

Brainworx bx_digital V3

The Mother of M/S EQ!

Overview

Brainworx’s revolutionary flagship product, bx_digital, was the first commercially available Mid/Side equalizer plugin, and it still reigns supreme today as the EQ for mixing and mastering.

The seminal plugin’s first major upgrade, bx_digital V2, was voted #1 Best Plug-in of the Decade by Future Music and quickly became the standard by which other equalizers are judged.

The 11-band equalizer’s forward-thinking feature set includes parametric bell, high- and low-shelving, and high- and low-pass filters for each channel; mono, dual-mono (L/R), stereo and mid-side modes of operation; a mid-side decoder (especially useful for recording acoustic instruments, drums and even bigger ensembles in a super mono-compatible and extremely natural way); spectrum-balancing Bass and Presence Shifters; the pioneering Mono Maker summing tool; and comprehensive imaging, monitoring and metering facilities for high-level mastering.

Now Even More Powerful

With the release of bx_digital V3, the bar just got raised again. The major update extends the High Frequency band’s upper range to 40 kHz to sweeten and add ‘air’ to high-resolution audio tracks, mixes and masters. A Dynamic EQ module, API-style Proportional Q filters and six notch filters (three per channel) have been added to handle any surgical mix or mastering task, making it a perfect tool for film mixing and post production as well. The unique Bass and Presence Shifters have been made much more versatile, each now offering a selection of three different tilt filters that balance and unmask hidden details in your mixes.

V3’s transparent high pass and low pass filters now provide alternate slopes to sculpt your tracks’ high and low end and selectively weed out rumble and hiss with greater precision. And the new, global Gain Scale control makes proportional gain changes to all parametric, shelving, and Bass and Presence Shift filters at once—preserving your carefully wrought balance across all bands as you dial in the perfect overall amount of EQ.

All this power comes in two workspaces—separate component plugins for mixing and mastering—to help you work faster. On individual tracks that don’t need surgical equalization, the «bx_digital V3 mix» plugin simplifies operation by excluding mid-side processing and additional meters. On your main subgroups and the master stereo bus during mixdown and mastering sessions, use the «bx_digital V3» plugin to roll out the big guns: a full complement of Mid/Side equalization controls and separate meters for pre- and post-EQ signal levels, L/R balance and correlation. Advanced imaging controls let you independently pan your mix’s mid and side channels, widen the stereo image, swap left and right channels and center the phantom stereo image.

V3 for Clearer and Cleaner-Sounding Mixes and Masters

V3 is not a «character» EQ. It’s eminently pristine, using ultra-transparent filters that minimize phase shift and frequency masking to deliver clearer and more focused mixes and masters. The Bass and Presence Shifters produce opposing boosts and cuts in adjacent bands to prevent excess spectral energy buildup that can make mixes sound boomy, blurry or edgy. Each Shifter in V3 offers a selection of three different tilt-equalization sounds featuring different boost and cut frequencies, bandwidths and relative gain.

Use them, for example, to boost your mix’s low-bass punch while simultaneously clearing out muddy upper-bass and low-midrange frequencies. Or increase presence to spotlight guitars and vocals, while softening searing cymbals. You’ll work faster: a mouse click and single knob twist are all it takes!

V3’s new Proportional Q filters are another huge plus. These filters progressively adapt the Q as you increase or decrease gain, focusing your boosts and cuts exactly where they’re needed and without suffering tradeoffs in neighboring bands. Boost bass frequencies on male vocals to accentuate the singer’s powerful chest register—without muddying the lower midrange. Cut honky midrange frequencies on the kick drum track while fully preserving the beater’s high-frequency slap. V3 is precise.

The V3 update also updates the simple De-Esser that was included in bx_digital V2 to a much more versatile Dynamic EQ that can compress or upwardly expand any frequency band from 20 to 22 kHz. Sure, the Dynamic EQ can still de-ess sibilant vocals and cymbals. But you can also use it to automatically attenuate bass frequencies on an acoustic guitar track only when the guitar gets boomy, leaving it unprocessed at all other times. Or use it to boost bass drums in complex signals. You can also tame the high frequencies of a vocal performance automated, only when a singer hits the top of their range.

The Dynamic EQ is all about consistent tone—and less need for time-consuming EQ automation. Setup is a snap: a Solo function lets you hear the frequency band that the Dynamic EQ will treat as you dial it in. Set the Speed switch to Fast to nip speedy sibilance in the bud or Slow to tame boomy bass frequencies without pumping. Place the Dynamic EQ before or after V3’s main filter section with the click of a mouse.

V3’s innovative Solo functions help you make smarter EQ decisions while working fast. Activate the Auto-Solo and Auto-Listen switches to add touch-sensitive functionality to Gain, Q and Frequency controls in all bands. With Auto Listen, the Gain and Q controls will automatically solo the respective changes they apply to each band, while doing the same to a Frequency control will automatically solo the filter in the channel. Auto Solo automatically switches monitoring to the respective channel (M or S, L or R) on which Gain, Q and Frequency are being adjusted. Separate frequency-response graphs for each channel constantly update to illustrate the results of your tweaks. You’ll see and hear your EQ adjustments like never before.

Features

• Three operational modes: L/R (dual-mono), M/S Master (Mid/Side) and unique M/S Recording (processes Mid/Side signals in real-time and outputs L/R stereo)
• Mono, dual-mono, stereo and Mid/Side configurations, multi-mono (Surround)
• Two component plugins simplify and speed workflow for mixing and mastering
• Eleven broadly overlapping bands per channel
• LF, LMF, MF, HMF and HF bands are fully parametric (offering separate Gain, Q and Frequency controls in each band) and can be switched globally for Proportional Q response
• LMF, MF and HMF bands each provide notch filtering at their lowest gain setting, while offering adjustable Q per band
• LF and HF bands provide respective low- and high-shelving EQ at their lowest Q setting
• Separate, continuously variable low-pass and high-pass filter for each channel, each offering 6dB or 12dB/octave slope or bypassed state
• Bass Shift and Presence Shift modules each offer three tilt-equalization sounds
• Dynamic EQ module boosts or cuts only when needed to correct undesirable, momentary peaks or enhance your signal with creative boosts
• Gain Scale control adjusts all gain controls for parametric, shelving, and Bass and Presence Shift filters at once; negative values invert the EQ curve to change boosts to cuts and vice versa
• Mono Maker folds frequencies to mono below its selected corner frequency (20 Hz to 22 kHz), lending focus to any part of your mix and helping to preserve the side channel’s headroom when tightening the low-end
• Extremely flexible control linking: Each band and filter can be independently linked with its respective counterpart in the opposing channel (left-channel filter linked to its corresponding right-channel filter, or mid linked to side)

Audio Examples

Industry Reviews

Michael Hartung

We have produced all of Marit’s songs in our studio, and I love bx_digital and bx_control, they are smart and well thought out. And they sound great. We have been helping to improve the ICON… Read More

Nadim Issa

This thing is truly a swiss army knife. The brainworx is fantastic for doing surgical cuts on tracks, such as vocals or guitars. I find myself isolating unwanted frequencies and resonances quickly… Read More

Siegfried Meier

This is our #1 eq for finalizing masters at Beach Road Mastering. The M-S controls are incredible and allow us to really dig into the finer details of a master. The tone of the EQ is super sweet,… Read More

Mikael “Count” Eldridge

Finally a plug-in for mastering that really does do it all, but actually sounds great. It even has a mid/side de-esser!

Snake Newton

I also use bx_digital V2 a lot and find the band solo function is a fantastic innovation when seaking out a troublesome center frequency.

Customer Reviews

Amazingly intuitive EQ

Must-have EQ!

Must. Have. Plugin.

excellent eq

Top of the line Mastering EQ’s.

Awards

Gearslutz Review

«There’s not much else out there that does all of this, let alone while sounding as transparent as bx_digital V3 without bothering your CPU. It’s expensive, but if you can afford it, or grab it on a sale, you’ll be glad you did.» — Funkybot

Specification

Supported Plugin Formats
AAX DSP, AAX Native, AU, VST2, VST3

Supported Operating Systems
macOS 10.9 through 11
Windows 7 through 10

Mac
Intel CPU only (minimum 2 GHz recommended)

PC
x64-compatible CPU

System Requirements
Display resolution: 1440 × 900px or 1280 × 960px or higher
Memory: 2 GB RAM

Downloads

With the Installation Manager, you can select, download and install just the Plugin Alliance products and formats you need for your system.

bx_digital V3 Installers

Installation Manager

Manuals

ChangeLog

Brainworx bx_digital V3 — Changelog

Version 3.8 (Mar 22, 2021)
— General: Compatibility with Logic on Apple Silicon devices via the Rosetta-2 layer
— General: Fixed possible artefacts when freezing or bouncing tracks in Pro Tools
— General: Fixed automation highlighting disappearing in Studio One
— General: Improved license dialog visibility in dark mode
— Added scalable UI feature

Version 3.7 (May 27, 2020)
— General: Qualified for use with the Windows 10 May 2020 Update
— General: VST3: Fixed potential hangs in a DAW upon loading
— General: Fixed logical issues in undo / redo behavior
— General: Fixed UI resizing issues in Ableton Live on Windows
— General: Fixed audio processing initialization issues on amp and delay products
— Improved metering behavior

Version 3.6 (Nov 06, 2019)
— General: Qualified for use with macOS 10.15 Catalina
— General: Qualified for use with Windows 10 November 2019 Update
— General: Fixed plugin validation in Logic under macOS Catalina
— General: Fixed preset name restore in Logic when reopening a session
— General: Fixed opening authorization dialog triggering automation
— General: Improved instantiation times for plugins
— General: Improved license functionality and branding for subscription
— General: Removed 32-bit support on macOS and Windows

Version 3.5 (Jul 10, 2019)
— General: macOS 10.14.5 Update compatibility
— General: Windows 10 1903 Update compatibility
— General: Fixed activation issue in Windows hosts set to non-English language (e.g. Cakewalk)
— General: AU: Fixed issue with increased CPU and memory on reopening UI
— General: VST3: Fixed issue with adapting to host knob mode, and now prioritizing linear
— General: VST3: Fixed issue with VST3 preset permissions
— General: VST3: Improved synchronization between parameter states and some UI functions, e.g. toolbar reset
— Fixed Solo label in L/R mode

Version 3.4 (Nov 16, 2018)
— General: macOS Mojave compatibility
— General: Windows October 2018 update compatibility
— General: adding Windows High DPI support for VST2/3 plugins
— General: Fixed potential crashes in Cubase and other VST2 / VST3 DAWs
— General: Fixed potential CPU spikes and audio dropouts
— General: Fixed rendering in Pro Tools on the start of a session
— General: Fixed missing presets in Wavelab and other VST3 DAWs
— General: Improving keyboard control, fixing issues with catched keys preventing it from passing through to DAW
— General: Fixed parallel use of host sessions (e.g. with Live)

Version 3.3 (May 24, 2018)
— General: Microsoft Windows Redstone 4 compatibility
— General: Added computer keyboard control for plugin parameters
— General: Fixed Mouse scroll wheel not working in Windows 8
— General: Fixed an issue where plugins will not validate or load after a certain amount of plugins have been loaded (Windows)
— General: Fixed visual GUI freezes when adjusting DAW parameters, meters, analyzers (Mac)
— General: Fixed possible issue with Pick Pack licenses
— General: Small licenser stability fix
— Fixed bug where auto-solo gets stuck when clicking left and right mouse buttons simultaneously

Version 3.2.1 (Jan 29, 2018)
— Fixed a crash in Pro Tools when displaying EQ curves in the mixer

Version 3.2 (Oct 23, 2017)
— General: Mac OS High Sierra compatibility
— General: Fixed possible crash on online activation (Mac OS High Sierra)
— General: Fixed Logic Pro X not validating AU plugins (Mac OS High Sierra)
— General: Fixed CPU spikes and crashes with Cubase (Windows)
— General: Fixed bug that could lead to «AAE -6 error» in ProTools (Windows)
— General: Fixed crash with FL Studio
— General: Fixed crash when cross-opening plugins in various hosts
— General: Fixed crash when using mixdown in Audition
— General: Fixed crash in Final Cut Pro
— General: Fixed delayed parameter handling and crackling issues in Cubase with VST3
— General: Fixed bug where plugin settings were not saved in Harrison Mixbus
— General: Fixed bug that led to AAE error -9317 in ProTools when instantiating plugin
— General: Fixed bug where plugins did not render properly when «x ray» option is enabled in Sonar
— General: Modifications to factory presets were lost when reopening session
— General: Fixed mouse wheel behaviour with second monitor setup (Windows)
— Some plugins: Value labels do not appear every time when clicking on parameter in UI
— General: Faster instantiation time for plugins (Windows)
— General: Adding support for automation highlighting in Presonus StudioOne
— Fixed UI not properly resizing in Reaper 5 with VST3

Version 3.1.2 (Mar 3, 2017)
— Fixed HF adjustments could cause loudness spikes [BXBUGS-1772]
— Fixed «Auto-Solo» function causing «Solo» buttons to be permanently enabled [BXBUGS-1498]
— Fixed Solo getting stuck when adjusting parameters [BXBUGS-1837]
— Fixed plugin opening with Solo M activated by default or when changing presets [BXBUGS-1818].
— Mix version only: Minor UI fix for Gain In & Gain Out textedits [BXBUGS-1667]
— General: Fixed mousewheel issue with multi-monitor environment on Windows [BXBUGS-1371]
— General: Fixed multi-instantiation of a plugin causing BitWig to crash [BXBUGS-1532]
— General: Fixed multi-instantiation of any 2 plugins in different hosts leading to crash [BXBUGS-1678]

Version 3.1.1 (Dec 20, 2016)
— General: Mac OS Sierra compatibility
— General: Fixed automation issues in AU and AAX
— General: Fixed license dialog use of special characters
— General: Improved AU preset support
— General: Performance improvements
— Fixed linking issue after session recall
— Usability improvements

Version 3.1 (Apr 1, 2016)
— Added EUCON page tables
— Fixed Auto-Solo (BXBUGS-1219)
— Fixed Mono-Maker (BXBUGS-1240)
— Fixed signal processing when soloing a channel (BXBUGS-1238)
— Exchanged Bass Shift and Presence Shift parameters in second channel for V2 like layout (BXBUGS-1260)
— Remodelled upper toolbar
— Fixed frequency response curve re-drawing issues (BXBUGS-1218)

Version 3.0 (Jan 18, 2016)
— Initial Release

Источник